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Heartbreak House, by George Bernard Shaw

HEARTBREAK HOUSE by GEORGE BERNARD SHAW



Directed by John Barrett



AUDITIONS:  Auditions will be held at
Beatrice Herford's Vokes Theatre, Route 20, Wayland, MA and are by appointment

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Sunday, March 9        
6:30-9:00



Monday, March 10     7:00-9:30

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Other times available by arrangement



Please prepare a 1-2 minute monologue - The monologue can be
serious or comic, modern or classic, but ideally should demonstrate deftness
with the intricacy of language present in a play by Shaw.



To schedule an appointment, please call 508-358-2011 and
leave your name, phone, and preferred audition time. We will call you back.



REHEARSALS BEGIN:  March
16        



 PERFORMANCES:  May 1 through May 17
Thursday - Saturday Evenings; Matinees Saturday, May 10 & May 17



England, at the onset World War I - in a lovely country house,
an intriguing assortment of beautiful, witty  women flirt and dally with a
bewildering - and bewildered - assortment of men, both gentlemen and ladies seemingly
oblivious to "The Great War" raging just over the threshold. 
The elegance (and artificiality) of the Edwardian Age is breathing its last
gasp, but here, in Heartbreak House, wit and whimsy still rule. 
George Bernard Shaw's stunning masterwork brings to life a cornucopia of
wondrous characters, some a little off-beat, some quite bizarre, but all
delightful and all engaged in a grand unspoken conspiracy to shut out the rude
realities of the larger world and live instead in a fanciful dreamworld of
their own creation. It's a world full of cleverness and charm, of artifice and
masquerade, of bright humor and wicked satire - a dreamworld that, sadly,
cannot prevail against the coming cataclysm but lives brilliantly on stage for
one more night of enchantment and, ultimately, enlightenment.



CAST (The character descriptions are Mr. Shaw's (with some minor
additions)



THE GENTLEMEN



Captain Shotover - "An ancient, but
still hardy man" gives the appearance of beginning to lose his grip, not
from any real diminution of faculties, but rather from indifference to the
judgment of others - his own man in all things



Hector Hushabye - "Very handsome,
rather dandified" - 40s - has the curious habit of performing all sorts of
heroic acts (to which he is too modest to admit) and therefore inventing the
most ridiculous imaginary exploits in their place



MAZZINI DUNN - "A little elderly man with
bulging credulous eyes" could play as young as 50s - diffident, as out of
his depth with the wealthy as his daughter (Ellie) is not 



BOSS MANGAN - "Fifty five with a
careworn, mistrustful expression" - as the name indicates, a captain of
industry - prosaic, and as such, completely at a loss within the confines of
this very fanciful house 



RANDALL UTTERWORD - "A gentleman whose
first-rate tailoring and frictionless manners proclaim the well bred West Ender
- somewhat younger than Ariadne (his brother's wife) and hopelessly in love
with her 



BILLY DUNN - "An old villainous-looking
man" - in fact not villainous at all - an old sailor - half a pirate
really - fun comic part  



THE LADIES 



HESIONE HUSHABYE - "Magnificent hair and
eyes, beautiful" - 40s -The Captain's daughter and Hector's wife -
intelligent, romantic - a formidable woman in every sense 



ARIADNE UTTERWORD- "Very handsome, very
well dressed" late 30s to 40s - the Captain's other daughter - very vain
and beautiful enough to pull it off - a relentless flirt and heartbreaker 



ELLIE DUNN - Ingénue "Slender, pretty, fair and
intelligent" - way out of her social class with this crowd, but at no
disadvantage in strength of character 



NURSE GUINNESS  - Older, has been with
the Captain many years, long enough to not put up with any nonsense - think an
older Eve Arden and you'll have her



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